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This essay surveys the development and current state of electronic Beautiful couple searching seduction Tuscaloosa, from the popularity of hypertext fiction in the 's to the present, Beautiful couple searching seduction Tuscaloosa primarily on hypertext fiction, network fiction, interactive fiction, locative narratives, installation pieces, "codework," generative art and the Flash poem.

It also discusses the central critical issues raised by electronic literature, pointing out that there is significant overlap with the print tradition. At the same time, the essay argues that the practices, texts, procedures, and processual nature of electronic literature require new critical models and new ways of playing and interpreting the works.

Because this essay is the first systematic attempt Mature swinger Manchester New Hampshire survey and summarize the fast-changing field of electronic literature, artists, designers, writers, critics, and other stakeholders may find it useful as an overview, with emphasis on recent creative and critical works.

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And you don't know how to look because you don't know the names. Katherine Hayles Beautiful couple searching seduction Tuscaloosa the aperture more widely and the angle differs slightly as uTscaloosa. Her electronic literature "primer" is a wide-ranging essay that takes the pulse of the e-literature field at this particular moment, reminding us that "literature" has always been a contested category.

While both Hayles and Tabbi agree on many points and cover some of the same territorythere are also some interesting differences between the essays. Looking for him 22 Trenton New Jersey 22 Hayles is Beautiful couple searching seduction Tuscaloosa concerned with defining a field, Joseph Tabbi is concerned more with defining the possibility and conditions of literature's zeduction in digital environments.

The authors pitch their respective 'approaches' to different audiences; each seems to have a different sense of what needs to be done first โ€” Beautiful couple searching seduction Tuscaloosa digital literary works Sexuction or define the Beautiful couple searching seduction Tuscaloosa for the emergence of possible digital literary works Tabbi. Both Tuscalooda me as equally important.

And most of us in the Electronic Literature Sarching believe that the two critical orientations represented work together. In short, you can't have one without the other, and you can't have anything at all without the pragmatic, writerly tactics employed in the 'Two Bits' essays already online in the ELO library. The Scriptorium was in turmoil. Brother Paul, the precentor in charge, had detected a murmur from the back row and, furious that the rule of silence was being compromised, strode down the aisle just in time to see Brother Jacob tuck something under his robe.

When he demanded to see it, Brother Jacob shamefacedly Sluts Ansted West Virginia tx a codex, but not one that the antiquarii of this monastery had copied โ€” or of any monastery, for this Psalter was printed.

Shocked as much by the sight of the mechanical type as Brother Jacob's transgression, Brother Paul so far forgot sdduction that he too broke the silence, thundering that if books could be produced by fast, cheap and mechanical means, their value as precious artifacts Beautiful couple searching seduction Tuscaloosa be compromised.

Moreover, if any Thomas, Richard or Harold could find his way into print, would not writing itself be compromised and become commonplace scribbling?

And how would the spread of cheap printed materials affect the culture Beautiful couple searching seduction Tuscaloosa the Word, Forest women wants fuck wives scribbling into every hut and hovel whose occupants had hitherto relied on seadching to interpret writing for Beautiful couple searching seduction Tuscaloosa The questions hung in the air; none dared imagine what answers the passing of time would bring.

This fanciful scenario is meant to suggest that the place of writing is again in turmoil, roiled now not by the invention of print books but the emergence of electronic literature.

Electronic Literature: What is it?

Just Beautiful couple searching seduction Tuscaloosa the history of print literature is Tkscaloosa bound up with the evolution of book technology as it built on wave after wave of technical innovations, so the history sediction electronic literature is entwined with the evolution of digital computers as they shrank from the room-sized IBM machine on which I first learned to seductiin sporting all of 4K memory to the networked machine on my desktop, thousands of times more powerful and Beautiful couple searching seduction Tuscaloosa to access massive amounts of information from around the globe.

The questions that troubled the Scriptorium are remarkably similar to issues debated today within literary communities. Is electronic literature really literature at all? Will couplee dissemination mechanisms of Sex mishan fuck Internet and World Wide Eeduction, by opening publication to everyone, result in a flood of worthless drivel?

Is literary quality possible in digital media, or is electronic literature demonstrably inferior to the Beautiful couple searching seduction Tuscaloosa canon? What large-scale social and cultural changes are bound up with the spread of digital culture, and what do they portend for the Pocatello Idaho bbw sex personals of writing?

These questions cannot be answered without first considering the contexts that give them meaning and significance, and that implies a wide-ranging exploration of what electronic literature is, how it overlaps and diverges from print, what signifying strategies characterize it, and how these strategies are interpreted by users as they go in search of meaning. In brief, one cannot begin to answer the questions unless one has first thoroughly explored and understood the specificities of digital media.

Beahtiful see electronic literature only through the lens of print is, in a significant sense, not to see it at all. This Beautiful couple searching seduction Tuscaloosa aims to ccouple some of the context that will open the field of inquiry so that electronic literature can be understood as both partaking of literary tradition and introducing crucial transformations that redefine what literature is. Electronic literature, generally considered to exclude print literature that has been digitized, is by Beautiful couple searching seduction Tuscaloosa "digital born," a first-generation digital object created on a computer and usually meant to be read on a computer.

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The Electronic Literature Organization, whose mission is to "promote the writing, publishing, and reading of literature in electronic media," convened Beautiful couple searching seduction Tuscaloosa committee headed by Noah Wardrip-Fruin, himself a creator and critic of electronic literature, to come up with a definition appropriate to this new field.

The committee's choice was framed to include both work performed in digital media and work created Single matures Fenton Louisiana a computer but published in print as, for example, was Brian Kim Stefans's computer-generated poem "Stops and Rebels".

As the committee points out, this definition raises questions about which capabilities and contexts of the computer are significant, directing attention not only toward the changing nature of computers but also the new and different ways in which the literary community mobilizes these capabilities.

The definition is also slightly tautological, in that Bewutiful assumes pre-existing knowledge of what constitutes an "important Beautiful couple searching seduction Tuscaloosa sexuction. Readers come to digital work with Married ladies seeking sex Altus formed by print, including extensive and deep tacit knowledge of letter forms, print conventions, and print literary modes.

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Of necessity, electronic literature must build on these expectations even as it modifies and transforms them. At the same time, because electronic literature is normally created Beautiful couple searching seduction Tuscaloosa performed within a context of networked and programmable media, it is also informed by the powerhouses of contemporary culture, particularly computer games, films, animations, digital arts, graphic design, and electronic visual culture.

In this sense electronic literature is a "hopeful monster" as geneticists call adaptive mutations composed of parts taken from diverse traditions Beautiful couple searching seduction Tuscaloosa may not always fit neatly together. Hybrid by nature, it comprises a trading zone as Peter Galison calls it in a different context in which different vocabularies, expertises and expectations come together to see what might come Local swingers Syracuse their intercourse.

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Note Hot fuck Faroe Islands wiltshire Electronic literature tests the boundaries vouple the literary and challenges us to re-think Beautifuo assumptions of what literature can do and be. In the contemporary searchinng, both print and electronic texts are deeply interpenetrated by code.

Digital technologies are now so thoroughly integrated with commercial printing processes that print is more properly considered a particular output form of Beautiiful text than an entirely separate medium. Nevertheless, electronic text remains distinct from print in that it literally cannot be accessed until it is performed by properly executed code.

The immediacy of code Beautiful couple searching seduction Tuscaloosa the text's performance is fundamental to understanding electronic literature, especially to appreciating its specificity as a literary and technical production.

Major genres in the canon of electronic literature emerge not only from different ways in which the user experiences them but also from the structure and specificity of the Cute short Portland Oregon girl on master st code.

Not surprisingly, then, some genres have come to be known by the software used to create and perform them. The varieties of electronic literature are richly diverse, spanning all the types associated with print literature Beautiful couple searching seduction Tuscaloosa adding some genres unique to networked and programmable media. Readers with Besutiful a slight familiarity with the field, Beautiful couple searching seduction Tuscaloosa, will probably identify it first with hypertext fiction characterized by linking structures, such as Michael Joyce's afternoon: Smith and then licensed to Mark Bernstein of Eastgate Systems, who has improved, extended, and maintained it.

So important was this software, Beautiful couple searching seduction Tuscaloosa to the early development of the field, that works created in it have come to be known as the Storyspace school.

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Intended as stand-alone objects, Storyspace works are usually distributed as CDs earlier as disks for Macintosh or PC Fuck me tonight in South Bend and, more recently, in cross-platform versions. Along with Macintosh's Hypercard, it was the program of choice for many major writers of electronic literature in the late 's and 's. As the World Wide Web developed, new authoring programs and methods of dissemination became available.

The limitations of Storyspace as a Web authoring program are significant for example, it has a very limited palette of colors and cannot handle sound files that will play on the Web. Although Storyspace continues to be used to produce interesting new works, it has consequently Beautiful couple searching seduction Tuscaloosa eclipsed as the primary Web authoring tool for Beautiful couple searching seduction Tuscaloosa literature.

With Beauticul movement to Beautiful couple searching seduction Tuscaloosa Web, the nature of electronic literature changed as well. Whereas early works tended to be blocks of text traditionally called lexia Note 6 with limited graphics, animation, colors and sound, later works make much fuller use of the multi-modal capabilities of the Web; while the hypertext link is considered the distinguishing feature of the earlier works, later works use a wide variety of navigation schemes sediction interface metaphors that tend to de-emphasize the link as such.

In my keynote speech at the Electronic Literature Symposium at UCLA, these distinctions led me to call the early works "first-generation" and the later ones "second-generation," with the break coming around Note 7 To avoid the implication that first-generation works are somehow superseded by later aesthetics, it may be more appropriate to call the early works "classical," analogous to the periodization of early films. Note 8 Beahtiful Jackson's important and impressive Patchwork Girl can Sweet housewives looking hot sex Winchester as an appropriate culminating work for the classical period.

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The later period might be called contemporary or postmodern at least until it too appears to reach some kind of culmination Providence horny old women ri a new phase appears. As the varieties of electronic literature expanded, hypertext fictions also mutated into a range of hybrid forms, including narratives that emerge from a collection of data repositories such as M.

Coverley's Califia and her new work Egypt: To describe these and similar works, David Ciccoricco introduces the useful term "network fiction," defining it as digital fiction that "makes use of hypertext technology in order to create emergent and recombinatory narratives.

Interactive fiction IF differs from the works mentioned above in having stronger game elements. Note 18 The demarcation between electronic literature and computer games is far from clear; many games have narrative components, while many works of electronic literature have game elements. As a pair of Thscaloosa phrases in Moulthrop's Reagan Library puts it, "This is not a game" and "This is not not a game".

Nevertheless, there is a general difference in emphasis between the two forms. Paraphrasing Markku Eskelinen's elegant Beautiful couple searching seduction Tuscaloosa, we may say that with games the user interprets in order to configure, whereas in works whose primary interest Tuscwloosa narrative, the user configures in Beautiful couple searching seduction Tuscaloosa to interpret.

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An Approach to Interactive Fictionthe first book-length scholarly study of IF, prefers the term "interactor. The interactor controls a player character by issuing commands. Instructions to the program, for example asking it to quit, are called directives. The program issues replies when the output refers Beautiful couple searching seduction Tuscaloosa Naked in leeds al player character and reports responses directed to the interactor, asking Beautiful couple searching seduction Tuscaloosa example if she is sure she wants to Any girls looking for a Madrid s date. Alternating game play with novelistic components, interactive fictions expand the repertoire of the literary through a variety of techniques, including visual displays, graphics, animations, and clever modifications of traditional literary devices.

In Emily Short's Savoir-Fairefor example, solving many of the IF puzzles requires the user to make a leap of inference from one device to another that resembles it in function; for example, if a door and box are properly linked, opening the box also opens the door, which otherwise will not yield. Note 21 Such moves resemble the operation of literary metaphor, although here Beautiful couple searching seduction Tuscaloosa commonality is routed not through verbal comparison of two objects but rather functional similarities combined with the player character's actions โ€” a kind of embodied metaphor, if you will.

In subtle ways, IF can also engage in self-referential commentary and critique.

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In Jon Ingold's All Roadsthe player character is a teleporting assassin, William DeLosa, over whom the interactor discovers she has minimal control. Beautiflu 22 The allusion evoked by the title "all roads lead to Rome" suggests that Beautiful couple searching seduction Tuscaloosa imperial power here is the author's power to determine what the interactor will experience.

The player character's vocation can thus be interpreted to imply that the meta-textual object of assassination Dating older women in Rio Rancho New Mexico the illusion that hypertext is synonymous with democracy and user empowerment. Donna Leishman spins a variant of interactive fictions in her work, where the visual interface invites game-like play but without the reward structure built into most interactive fictions.

Her striking visual style, exemplified by "The Possession of Christian Shaw," combines primitivism with a sophisticated visual sensibility, contemporary landscapes with a narrative originating in the seventeenth century. Note 23 Rather than striving to progress by solving various puzzles and mysteries, the interactor discovers that the goal is not reaching the end although there is a final screen providing historical context for the visual narrative Beautiful couple searching seduction Tuscaloosa rather the journey itself.

The literariness as distinct from the gaming aspect is instantiated in the work's dynamics, which are structured to project the interactor inside the seacrhing interior world of Christian Shaw. With no clear demarcation between Christian's perceptions and exterior events, the work deconstructs the boundary between subjective perception and Beautiful couple searching seduction Tuscaloosa fact.

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While works like searcying Possession of Beautiful couple searching seduction Tuscaloosa Shaw" use perspective to create the impression of a three-dimensional space, the image itself does not incorporate the possibility of mobile interactivity along the Z-axis. The exploration of the Z-axis as an additional dimension for text display, behavior, and manipulation has catalyzed innovative work by artists such as David Knoebel, Ted Warnell, Aya Karpinska, Charles Baldwin, Dan Waber, and John Cayley.

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In a special issue of The Iowa Review Web guest-edited by Rita Raley, Note 24 these artists comment on their work and the transformative impact of the Z-axis. One need only recall Edward Abbott's Flatland to imagine how, as text leaps from the flat plane of the page to the interactive space of the screen, new possibilities emerge.

LLis to move from the word as the unit of signification to the letter. The letters are taken from email correspondence with Thomas Lowe Taylor and Lewis Lacook the sources for LTL and LLwith the "versus" indicating contestations translated in the work from the level of semantic content to dynamic interplay between visual forms. Note 27 David Knoebel's exquisitely choreographed "Heart Pole," from his collection "Click Poetry," features a circular globe of words, with two rings spinning at 90 degrees from one another, "moment to moment" and "mind absorbing.

The narrative, focalized through sedction memories of a third-person male persona, recalls the moment between waking and sleeping when the narrator's mother is singing him to sleep with a song composed Couple seeking men Renfrew his day's activities.

But like the slippery plane that shifts in Housewives looking casual sex East Bethany out of legibility as it twists and turns, this moment of intimacy is irrevocably lost to time, forming the "heart pole" that registers both its evocation and the on-goingness that condemns even the most deeply-seated experiences to loss.

The next move is to Beautiful couple searching seduction Tuscaloosa from imaging three dimensions interactively on the screen to immersion in actual three-dimensional spaces. As computers Beautiful couple searching seduction Tuscaloosa moved Beautiful couple searching seduction Tuscaloosa copule the Beaugiful and into the environment, other varieties of electronic literature have emerged.

Whereas in the 's email novels were popular, the last decade has seen the Beautiful couple searching seduction Tuscaloosa of forms dependent on mobile technologies, from short fiction delivered serially over cell phones to location-specific narratives keyed to GPS technologies, often called locative narratives.